Zack Snyder’s latest offering, “Rebel Moon — Part One: A Child of Fire,” is another example of his penchant for creating visually appealing yet narratively weak films. Co-written with Kurt Johnstad and Shay Hatten, the film dives into a pool of overused clichés and unoriginal space opera elements from the get-go. The movie is an unfortunate mix of predictable and uninspired elements.
The film could have been more tolerable if it were a parody, sparing viewers from its 134-minute, mind-numbing run. The so-called plot centers around the Motherworld, an empire under the tyrannical rule of Admiral Atticus Noble (Ed Skrein). Princess Issa is portrayed as a beacon of hope with her healing abilities, but Snyder, true to his style, kills her and her parents off in a move devoid of subtlety.
Sofia Boutella tries to bring some life to her role as Kora, the reluctant hero from the moon Veldt. However, her efforts are overshadowed by the poor script. The film’s attempt to assemble a rebel team turns into a tedious journey, populated with stereotypical characters rather than well-developed individuals.
The pacing of “Rebel Moon” is painfully slow, particularly in its overextended team-assembly sequence. The characters, like the Han Solo-like pilot Kai (Charlie Hunnam), the warrior Tara (Staz Nair), and others, are mere archetypes, lacking depth and personality.
The film’s excessive use of slow-motion scenes, a technique Snyder previously employed effectively, only adds to the viewer’s frustration here. The villain, Admiral Atticus Noble, is portrayed as a cartoonish and over-the-top evil figure, diminishing any sense of a serious threat.
“Rebel Moon” concludes with the setup for a future battle, but its inability to tell a complete story in this installment makes the promise of a sequel feel more like a looming threat. The film leaves an impression that it might just be a tactic to keep viewers subscribed to Netflix a little longer, particularly those who are fans of Snyder’s work.