In what might be a farewell, ‘Aquaman and the Lost Kingdom’ proudly raises its trident

The latest Aquaman film, “Aquaman and the Lost Kingdom,” seems fittingly about a lost kingdom, mirroring its own place in the cinematic landscape as a small but distinct Jason Momoa-led franchise that might quietly fade away.

In what appears to be the last chapter of this saga, Momoa delivers an energetic performance in a narrative that spans various terrains, borrowing elements from other films in a manner akin to an enthusiastic but chaotic collection. Surprisingly, much of the film unfolds outside the aquatic realm.

This film likely marks the conclusion of the King of Atlantis’ story for now, as DC Studios sets its sights on a multitude of new film and TV projects over the next decade, with Aquaman not being the centerpiece of any.

Momoa’s magnetic charm and commanding presence are the glue holding this film together. His departure might be a regret for DC Studios, considering his aptitude for embodying a superhero, reminiscent of their missteps with Dwayne Johnson.

“Aquaman and the Lost Kingdom” tries to surpass its predecessor by amping up every aspect – more locations, battles, and epic underwater scenes, reminiscent of movies like “Thor: Love and Thunder” and “Fast X.”

The 2018 Aquaman film saw him engaging in various adventures, from battling his half-brother to a quest in the Sahara, causing destruction in Sicily, and ultimately uniting Atlantis. This sequel, under James Wan’s direction, focuses on Aquaman’s reconciliation with his brother (played by Patrick Wilson) and chasing down the first film’s villain, Black Manta, portrayed by Yahya Abdul-Mateen II.

The screenplay by David Leslie Johnson-McGoldrick is a whirlwind of elements, including an endearing sidekick octopus and a powerful metallic ore, reminiscent of other famous fictional materials. While Amber Heard returns, her role is less central in this brother-centric narrative.

The film, while referencing other iconic movies, is filled with playful banter between Momoa and Wilson, highlighting their contrasting personalities. Visually, the film borrows from various franchises, adding a touch of environmental messaging amidst the action and adventure.

Despite its eclectic mix, the film manages to hold its head high, ending the year on a somewhat positive note for DC amidst challenges faced by both DC and its rival Marvel.

“Aquaman and the Lost Kingdom,” released by Warner Bros. Pictures, is PG-13 rated, with a runtime of 143 minutes. It earns two and a half stars out of four.