LOS ANGELES: “The Rise of Skywalker” was meant to provide a satisfying conclusion to nine “Star Wars” films. For many critics, the film hit the mark as well as a stormtrooper in a blaster battle.Director J.J. Abrams’ return to the space saga has been slammed as unoriginal and slavishly pandering to the franchise’s rabid core fan base.
The film aggregator website Rotten Tomatoes has given it a score of 59 percent, from around 200 critics - the worst of any live-action “Star Wars” episode since the multiply panned prequel “The Phantom Menace” two decades ago.
The Los Angeles Times’ Justin Chang called it “an epic failure of nerve” with a “succession of cheap ‘gotcha!’ twists.”
“In its anxiety not to offend,” Time magazine said, “it comes off more like fan fiction than the creation of actual professional filmmakers.”
Jack Coyle of the Associated Press called the movie a “scattershot, impatiently paced, fan-servicing finale that repurposes so much of what came before.”
For The Hollywood Reporter, the movie’s “more-is-more approach ultimately leaves one both bloated from too many courses and uncertain about some of the ingredients.”
Many reviewers have compared it unfavorably to the previous installment, “The Last Jedi,” 2017, now widely seen as a more experimental “Star Wars” film, which critics enjoyed but which enraged a vocal minority of hardcore fans.
A few reviewers, honoring the balance that is a central tenet of the Jedi Order, pushed back with their own glowing appreciations, however.
Variety called it the “most elegant, emotionally rounded, and gratifying ‘Star Wars’ adventure” since ’80 “The Empire Strikes Back,” while London’s Daily Telegraph said the film “gives our heroes the swashbuckling, heart-rending ending they deserve.”
A three-star write-up in British newspaper The Guardian noted that the “vast, hulking Star Destroyer of a franchise has become too cumbersome to pull off any genuinely nimble maneuvers, but at the same time, it never falls out of the sky.”
Indiewire declared it “spectacular and uninspired at once.”
The much-hyped film has been tipped to take $200-$225 million at domestic box offices this weekend, which would place it among the biggest openings in movie history.
“A massive opening weekend is in the cards irrespective of reviews or audience sentiment,” Comscore senior media analyst Paul Dergarabedian said. Positive reviews are a “bonus” but the “true test” will come when the first fans get to see the film and form their own opinions.
“The long-term prospects will depend on solid word of mouth,” he added “propelling the film to greater and greater heights worldwide week after week.”
Hollywood’s iconic El Capitan Theater, which has been hosting a sold-out, back-to-back “Star Wars” marathon of all nine films culminating in Thursday’s release, said the reviews were not expected to dampen sky-high demand.
“Not really ... it really is a love letter to the fans and the people who have stuck in there for these 40-some odd years to be able to see this film,” said James Wood, the Disney-owned theater’s director of special events and production, adding “The Rise of Skywalker” had the longest list of people requesting to be notified when tickets went on sale of any movie in a blockbuster-filled year.
The film opened in several markets Wednesday including France, Germany and China. French fan club Planete Star Wars leapt to the film’s defense following its release there.
“The task was far from easy and satisfying every fan would be impossible anyway,” it said. “In any case, J.J. Abrams worked hard to give us the best possible conclusion to the saga and who knows ... reunite the community?”
The New York Times had a less charitable view, declaring director Abrams “the most consistent B student in modern popular culture.”
The film “is one of the best [in the franchise] ... Also one of the worst,” it concluded. “Perfectly middling. It all amounts to the same thing.”